Sculptures Codexery

Moses (Michelangelo)

Michelangelo's marble Moses, with horns and flowing beard.

Moses is a marble sculpture by the Italian High Renaissance artist Michelangelo, created circa 1513–1515. It depicts the biblical figure Moses with horns on his head, based on a description in chapter 34 of Exodus in the Vulgate, the Latin translation of the Bible used at that time. The statue was commissioned in 1505 by Pope Julius II for his tomb and is housed in the Basilica of San Pietro in Vincoli in Rome. It is one of Michelangelo's most famous works, noted for its emotional intensity and technical virtuosity.

Artist
Michelangelo
Date
c. 1513–1515
Medium
Marble
Location
Basilica of San Pietro in Vincoli, Rome
Commissioned by
Pope Julius II
Subject
Moses
Height
Five braccia (approximately 2.5 meters)

Lore & Background

Pope Julius II commissioned Michelangelo to build his tomb in 1505, and it was finally completed in 1545; Julius II died in 1513. The initial design was massive and called for over 40 statues. The statue of Moses would have been placed on a tier about 3.74 meters high, opposite a figure of St. Paul. In the final design, the statue of Moses sits in the center of the bottom tier. Giorgio Vasari wrote that Michelangelo finished the Moses in marble, a statue of five braccia, unequaled by any modern or ancient work. He described the beard as so soft and downy that the iron chisel seemed to have become a brush, and noted that Rome's Jewish population visited it every Saturday to adore it as a divine thing.

Reader's Guide

Sigmund Freud's interpretations of the statue from 1916 are particularly well-known. Some interpretations, including Freud's, note a demonic force but also a beautiful figure, with emotional intensity as God's word is revealed. Freud argued that Michelangelo goes beyond mere skills to provoke curiosity, asking why Moses plays with his hair and why he is presented with horns and flowing hair. In his 1914 essay, Freud associated the statue with the moment Moses descends from the mountain and finds the Hebrew people worshipping the Golden Calf, describing Moses in a complex psychological state of frozen wrath and pain. Another view, by Malcolm Macmillan and Peter J. Swales, relates the sculpture to the second set of Tables and events in Exodus 33 and 34, arguing the statue depicts the moment Moses sees God. Some scholars believe the use of horns may hold an antisemitic implication, while others hold it is simply a convention based on a translation error.

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